The icing on the cake for any restoration project is completing the vehicle's external trim.
A task easier said than done for inexperienced restorers due to the large array of challenges it provides, the many different finishes of metal and materials involved and the specialist tools and skills required to complete the project.
When it all works out, renewing a car's exterior trim means seeing the light at the end of the tunnel on any restoration project.
The restore has reached their goal- to return the vehicle's exterior to its original condition or even improving on it.
An expensive and challenging process with lots of traps and potential pitfalls along the way.
Devotees of classic cars produced in the UK and Europe, especially from the late-Fifties and all through the Sixties will be aware that the leading influence in car exteriors was shiny chrome and lots of it.
Influenced a lot by trends in the USA, larger-scale family saloons and most sports cars were garnished with chrome, even though the material used to produce chrome, steel, aluminium, copper and zinc alloys was in short supply during the Fifties.
Despite the shortages and the costs, after the austere designs of the immediate post-war years, the public hungered for chrome and were prepared to pay for it.
More than Sixty years later, the owner is going to have to pay for it again!
The only way to bring a vehicle's chrome trim back to its best is to have it re-plated, a procedure that can only be left in specialist's hands.
That means finding a reliable company that provide chrome plating services, as early as possible so as not to hold up completing the restoration, as these companies are not located on every street corner these days.
Once a chrome platerhas been sourced, most restorers find it most efficient to pay them a visit, complete with all the items that need to be replated for a real-time estimate of costs and time scales.One of these variations was the soft top, where leading UK manufacturers' in particular released a number of soft-topped family saloons in addition to the open-top tourers that so typified UK manufacturers in the period between the wars and were especially popular during the Sixties.
Despite often unpredictable weather, soft tops were steady sellers during those years. Because they are more susceptible to the passing of time, soft tops have become increasingly scarce and thus valuable collector's items.
Anyone brave enough to consider acquiring and restoring a soft-topped vehicle has to take into account that this is a job for specialists only.
If the top has never been renewed during its time on the road, the chances are that even the basic frame has been ruined and the whole apparatus needs to be changed, and more likely the fabric top. An expensive and time-consuming process.
Another of the more obscure concepts that were still available during the Fifties and Sixties were estate cars adorned with a wooden frame.
The concept derived from the famous Woody station wagons, derived from the iconic designs commonplace in the United States during the Thirties to Fifties.
The idea was less widespread in the UK and Europe, with the only major manufacturer offering such a model being Morris, with their Mini, Minor and the larger Oxford Traveller version.
Any car restorer who manages to acquire of these models, with the Oxford being the rarest, will be faced with the interesting challenge of renewing most of the frame.
These attractive frames were rapidly found to be incapable of bearing the brunt of British winters and need to be changed regularly.
Experienced restorers will tell you that going through the external restoration process can be a bittersweet experience.
On the one hand, they will probably have played inordinately minor part in this vital stage of the entire restoration. All they have had to do is reach for their cheque book and pay out some hefty bills.
However, the end result will have been more than worth it.
Classic set of wire wheels
Basic exterior trim of the Triumph Herald
Luxuriously interlanced chrome of a Fifties Facel Vega
Chrome wing mirror on a Jaguar XK150